Revisiting IVS: Exploring Transformation Through Nomaan Bhatti’s Evolving Selves

Stepping back into the Indus Valley School of Art and Architecture (IVS), my alma mater, was like revisiting a cherished chapter of my life. This time, however, it wasn’t just about nostalgia but about discovering something extraordinary—“Evolving Selves,” an abstract photography exhibition by Nomaan Bhatti.

Nomaan, a Fine Arts graduate and a respected cinematographer, videographer, teacher, and mentor, had played a pivotal role in my early learning. During my time at IVS, he taught me the fundamentals of camera handling and direction, setting the foundation for my creative journey. Seeing him now, presenting his artistry in the same halls, was a powerful reminder of how time shapes both people and their craft.

The Theme: Evolving Selves

The exhibition’s theme, “Evolving Selves,” immediately resonated with me. It felt deeply personal, as though it reflected the silent transformations we all undergo. Intrigued, I asked Nomaan, “Do we, as humans, truly evolve in such a way?” He paused before replying, “In some ways, yes. Life’s challenges and experiences often lead us to a point where the masks we wear to fit in become too heavy. At that point, we stop seeking external validation and start embracing who we really are.”

To emphasize his perspective, he quoted Paulo Coelho:

“When you are content to be simply yourself and don’t compare or compete, everybody will respect you.”

This profound insight set the tone for the rest of my exploration through his work.

Stories Through the Lens

One photograph, in particular, captivated me, a woman reclining on a wooden bench with her shadow cast behind her. I asked Nomaan about its meaning, and he explained, “This image reflects the masks we wear in different situations. It’s about choosing those masks and, at times, layering multiple ones to adapt to the world around us.”

Another striking image featured a woman’s hair painted in vivid orange hues, blending seamlessly into shades of white. The interplay of colors was visually stunning, representing the bold yet delicate transformation of identity.

A more gripping piece showed a woman encircled by orange wires, a symbolic representation of the struggles we hold on to, even when they confine us. Nomaan explained that this photograph conveyed the tension between holding on and the freedom of letting go.